DNA Star constellation, create using particle systems in 3D max

About Vortiko

I’ve always been drawn to both art and science. Even at school, I balanced A-Level Physics alongside art classes, a combination some people found unusual. While I didn’t pursue physics academically, I’ve maintained a deep curiosity about science, paired with a solid understanding of its core ideas and concepts.

That curiosity, combined with a natural talent for art, led me to specialize in precision CGI visualization and animation. My work spans a wide range of industries, from scientific and medical visualization to product demonstrations, architectural environments, luxury goods, and abstract conceptual work. Across all these fields, the common thread is accuracy, clarity, and high-end visual craftsmanship.

I enjoy the challenge of turning complex subjects, whether it’s molecules, machines, or entire environments, into clear, impactful visuals that communicate with precision and style. My skills are rooted in technical modeling, lighting, materials, and animation, with a particular focus on projects where accuracy, detail, and realism matter.

Alongside my scientific and technical work, I’ve collaborated with brands in luxury goods, consumer products, and entertainment, creating motion design, advertising content, and product showcases. Whether static imagery or full animation, my goal is always the same: to create visuals that are clear, engaging, and beautifully crafted.

I’m also well-travelled and culturally curious, which adds depth and perspective to my creative work. Ultimately, my strength lies in visualizing and recreating complex forms with precision, a skill that serves both science and art equally well.

I specialize in high-end CGI with deep expertise in 3ds Max, ZBrush, V-Ray, After Effects, and Photoshop, bringing together technical precision and an artistic eye. My background includes detailed sculpting, physics-based animation, mid-level rigging and character skinning, and advanced material creation and texture painting. I also have professional retouching experience from my time at Digital Vision. Across all my work, I rely on a natural sense of animation timing and a strong instinct for realism and accuracy.